The creative journey....



Thursday 5 April 2012

New Lino Print

Mice in Cornfield:

I had the opportunity to print on an old book press today, with a great space to work and hang my prints. This week has been a rare opportunity to do nothing but printing thanks to my lovely husband who has been 'daddy day care'. So here is one of the new prints created this week...soon to be listed in my Folksy shop;

How to make a simple collagraph (part two)

Wow I should rename this blog post- 'How to combine art and a workout!'...

Once the image is dry the next stage is to add the colours that you want. Be prepared to use a lot of etching ink as the rough surface literally drinks it! Then follows your workout.. 1 and 2 and ...wiping the matrix clean.
I added further ink (red and gold) 'on top' with a roller as you would when printing in relief.
The matrix inked and ready to print.


And here he is.... I won't be able to print another like him so he is unique!

Wednesday 4 April 2012

Collagraph Cockerel Progress...

I am currently exploring ways to add texture as well as colour to my prints in the form of a Collagraph. It sounds a very fancy name doesn't it? But it is something very simple to do. 
Through the use of Collagrah  (gluing materials to a matrix ) there are endless opportunities to create texture and tone. I am particularly interested in producing a fine line print similar to a drawing and combining it with dense textured areas.

First i used a thick piece of card, drew the image and then surfaced scratched the drawing with a sharp pointed tool a dart is useful for this if no etching tool is handy! I then painted with PVA glue and sprinkled it with a fine grit called carborundum. (Very similar to fine sand. A great word though, I dare you to say that fast three times!)

The varying tone is only the different coloured grit i used, graded from coarse to fine which also creates tone when inked. (This then needs to dry overnight)

 
The next step is to add a sealant such as shalack (I think that's how it's spelt) or varnish which seals the matrix. You need wet paper to make the print, if you don't seal the matrix the PVA will become tacky again in the press = disaster!!

The matrix sealed with a brown coloured shalack.

I am printing this image tomorrow so I will keep you posted with the results...